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Prostitute 1975-77
AOTFD (2021)

A Utopian Stage: Festival of Arts, Shiraz-Persepolis
AOTFD / Afterall Books: Exhibition Histories (2021)


Archive

“A Utopian Stage” and “A Cultural Atlas”
in Solidarity Spores (Gwangju: Asia Culture Centre, 2020)
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“Archaeology of the Final Decade: The Case of the Citadel”
in Institution as Praxis, ed. by Carolina Rito and Bill Balaskas (Berlin: Sternberg Press, 2020), 88–109.
Contributions by Bill Balaskas, Michael Birchall, Mélanie Bouteloup, Carolina Cerón, Anthony Downey, Pujita Guha and Abhijan Toto for The Forest Curriculum, Joasia Krysa, Vali Mahlouji, Je Yun Moon, Andrea Phillips, Emily Pringle, Carolina Rito, Ruangrupa (Farid Rakun Andleonhard Bartolomeus), Nora Sternfeld, Sian Vaughan.
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Baalbek: Archives of an Eternity
Exhibition catalogue (Beirut: Sursock Museum, 2019)
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“Recreating the Citadel”
London Middle East Institute Magazine, October/November 2018, 13-14
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“A Utopian Stage”
in Dhaka Art Summit ’18 Exhibition Guide, ed. Diana Campbell Betancourt, Emma Sumner and Neha Choksi (Dhaka: Dhaka Art Summit ’18, Samdani Art Foundation, 2018) 143-153
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“The Fantastical Polaroids of Kaveh Golestan”   
in In the Fields of Empty Days, ed. Erica Wrightson and Claire Crighton (Los Angeles: Prestel Publishing and Los Angeles County Museum of Art, Los Angeles, 2018) 45-47, 128-129. Contributions by Linda Komaroff, with contributions from Sheila R. Canby, Sheida Dayani, Hamid Keshmirshekan, Hani Khafipour, Vali Mahlouji, Shabnam Rahimi-Golkhandan, Shadishafiei Javadi, Sandra Williams.
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“The Super-Modernism of the Festival of Arts, Shiraz-Persepolis”    
di’van: A Journal of Accounts, No. 2 (2017): 42-53
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“From Radical to Radial: Perspectives on the Festival of Arts, Shiraz-Persepolis”
Guggenheim UBS MAP Global Art Initiative online, Guggenheim Museum New York (2017)
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“Aspiration, Hope Dissent: The Festival of Arts, Shiraz-Persepolis as a Temporary Autonomous Zone”
in The Tehran Modern. A Reader about Art in Iran since 1960. (Berlin: Neue Nationalgalerie, 2016)
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“From Studio to Street: The Intimate Gaze of Kaveh Golestan”
di’van: A Journal of Accounts, No. 1 (2016): 52-64
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“Prostitute: 1975-77”
in Photo London 2015, (London: Photo London, 2015), 227-233
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Az Div o Dad: Fantastical Polaroids of Kaveh Golestan
Curated by Vali Mahlouji.
(London: AOTFD Publishing, 2015)
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“Re-Creating Shahr-e No, The Intimate Politics of the Marginal”
in Unedited History: Iran 1960-2014, Musée d’Art Moderne de la ville de Paris [French version] MAXXI Museum [Italian version] (2014)
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“The Contested Space: The Metapolitics of The Festival of Arts, Shiraz-Persepolis”
in Unedited History: Iran 1960-2014,Musée d’Art Moderne de la ville de Paris [French version]
MAXXI Museum [Italian version] (2014)
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Kaveh Golestan: The Citadel
(Amsterdam: Foam Fotografiemuseum Amsterdam, 2014)
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“Perspectives on the Shiraz Arts Festival. A Radical Third World Rewriting”
Asia Society Museum online (2013)
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“Perspectives on the Shiraz Arts Festival. A Radical Third World Rewriting”
in Iran Modern, ed. Fereshteh Daftari and Layla Diba (New York: Asia Society Museum and Yale University Press, 2013), 87-91.
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